The wind became constant on the second day, changing from the occasional gust that would precede an hour or two of torrential rains, to a steady 20-25 knot blow as if Zephuros himself were paying a visit to the island.
Once the wind became constant, silence retreated back to wherever silence goes in a world where squalls rule. At first you just notice the clattering palm leaves and of course the near deafening roar of the the rain on the tin roofs. Both mingle with the background of surf breaking just below the bluff where our cabin sits, facing east — to Cuba and the oncoming clouds.
But on the second day I started to hear other sounds — the low steady groan of a turbine, like the sound you make when blowing on the top of an empty bottle. Then there are creaking screws and rusted hooks that hold up the hammocks on my porch. And of course the hammocks themselves, finely woven Nicaragua cotton battered about in the wind.
When the rain comes it’s horizontal, making awnings and porches a useless defense. The only way to stay dry is either inside or pressed against the leeward side of a …
My first hands on with Borges... Absolutely amazing. So far beyond what I've been reading lately (mainly non-fiction and some late 20th century authors). As with Faulkner, I find it shocking that I was given an undergraduate degree in English without having read Borges. That simply should not be allowed. Everything I was expecting and so much more. If, like me, you know Borges through his myth rather than his words, this is a fine place to start. And rest assured, the myths are nothing next to the real thing.
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